Literary contents. Two prologues and nine visions.
Prologue 1: Visions about the Valkyrie
I have never been an opera lover. Neither our generation nor that of our parents received any musical education. Dictatorship was a triumphal military march that detested lyrical emotion –individual- , art sensitivity –effeminate-, and collective gathering –wasn’t that opera, but arts complementation?-... read more
Prologue 2: A masterpiece
Just a single of the feelings expressed in The Valkyrie could be a single aim to compose a masterpiece. In The Valkyrie, however, these feelings chain up and cannot be forgotten nor dissociated from the work in which we have experienced them. They are both exceptional and contradictory... read more
Nine visions
VISION 1: A MUSICAL PICTURE
Bertrand de Billy: Musical Director of the Gran Teatre del Liceu
VISION 2: FROM MEDIEVAL MYTH TO RICHARD WAGNER
Victoria Cirlot: Roman Phylology Teacher
VISION 3: ADORABLE
Franz-Paul Decker: Conductor
VISION 4: MAGIC FIRE
Ramon B. Ivars: Set Designer
VISION 5: RENOUNCING TO DIVINITY
Joan Matabosch: Artistic Director of the Gran Teatre del Liceu
VISION 6: TRAGEDY, DRAMA, THE GODS, THE VALKYRIE
Jordi Roch: Musical Youth President
VISION 7: THE GERM OF MUSICAL RENOVATION
Antoni Ros Marbà: Conductor
VISION 8: REVOLUCIONARI INCEST
Josep Solé: Composer, poet and essay writer
VISION 9: THE REASON
Manuel Bertrán Mariné
